As an American of both European and Karuk descent, I am interested in how art and objects are perceived as culturally authentic by outside audiences. There is a divide in Native art between contemporary and traditional that I believe should not exist. Indigenous artists need not be limited to working only with traditional cultural themes and materials. This type of treatment only further perpetuates stereotypes of indigenous populations as "exotic" others. Our Native cultures must be allowed to grow and participate in the present instead of being relegated to a distant past.
Incorporating Karuk motifs and content into my art honors the past as I strive to create a positive future. I see these creations as a natural evolution of my identification as both white and Native, and find that a convergence between two distinct things often arises in my work. Inspired by Karuk World Renewal traditions, I strive to create a sense of balance and harmony when working with patterns and forms. Even when dealing with more contemporary subject matter or mediums that may be less comfortable for an audience, my goal is still to ask the right question for that moment. I am honored to be an active participant in this cultural conversation.
Kúusrah (Sun/Moon), 2010
Acrylic and mixed media on gallery panel
8"x8"x1.5"
Currently on display in "Long Ago and Now" exhibit at The Clarke Museum in Eureka, CA